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David Heatwole
Symbolic painting, shifting planes and twenty years of exhibition work under the family name.
About my work
“Most of my output consists of two-dimensional works of contemporary fine art intended as contemplative depictions of ebb and flow, the movement and transformation of an energetic world, and the interconnected paths of all things visible and unseen.”
David F. Heatwole
Life is mysterious, and most of the work is a record of trying to say so. The paintings move between pure surrealism and deep symbolism: shifting planes, boxes of portals, gardens that rearrange themselves, notes that come back holy. Communication with the divine is a recurring theme, and so is the one I like to think I am having with all of humanity.
I consider it my responsibility to show people there is more to the arts than mere aesthetics and entertainment — that art deserves the standing of government and more clout in society than sports. Several pieces are attempts to picture that goal. When I am making work, I push myself past my comfort zone. It is the only way the work stays alive.
Biography
David Frederick Heatwole is an eleventh-generation artist. His ancestors came to the Shenandoah Valley from Germany — craftsmen and storytellers — and his father, a sculptor of science fiction, fantasy and folklore, fostered the pursuit early.
His early career was built on intricate, time-consuming drawings that told complex stories through careful lines, and a commercial art and illustration education kept him in pencil, charcoal and pastel. In 1996, in the middle of the hardest passage of his life, the work broke open: anything he could get his hands on became art, fast and automatic and surreal.
A later spiritual turn made that speed feel insufficient. The work needed depth, and it has been after depth ever since.
The three names
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Symbolic painting, shifting planes and twenty years of exhibition work under the family name.
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Adopted in 1996 for the burst of automatic surrealism — dribbles, rubbings and unbound color.
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Pop iconography and painted three-dimension, made to be seen through polarizing lenses.
Exhibitions
Eleven solo exhibitions from 1992 to the present, from Bridgewater College to the Chrysalis Annex in Cleveland — followed by the rest of the record: group shows, juried prizes, art fairs, press and education.
The record